There is a great deal of flexibility in the output filename, with auto-incrementing file numbers, creation date and so on, but you can also use any of the input files’ metadata in the output filename – for example camera name, reel name or shot/take information. The user interface provides (editable) presets for the encoding format and you can burn in a LUT if required. Of course, if your Mac was built before 2011, or if it’s a new Mac Pro (which uses Intel’s server chipset and so doesn’t have QuickSync) then you won’t see quite the transcoding acceleration that newer MacBooks Pros, Airs and iMacs will bring. It does this with a simple, batch interface – just drag-and-drop the files – and it does it very fast.ĮditReady leverages your Mac’s hardware to perform various bits of its transcoding – Intel’s QuickSync (built into most chip-sets since 2011) accelerates H.264 encoding and decoding, and the GPU is used to convert between colour spaces and sampling schemes, freeing the CPU to do what it’s good at, and saving power in the process. It takes pretty much any format video (if it will play in Quicktime then it’s likely to be compatible – so no REDCODE RAW) and transcodes it to ProRes, DNxHD or H.264. If they can build on that idea and make the software truly codec agnostic (while maintaining the speed of course), then EditReady will be my encoder of choice for years to come.EditReady takes pretty much any format video (if it will play in Quicktime then it’s likely to be compatible – so no REDCODE RAW) and transcodes it to ProRes, DNxHD or H.264.Ī bit of software that promises to transcode rushes for your NLE faster than the competition sounds like a Good Thing – we all spend too much of our lives watching that little blue progress bar inch, glacially, towards its destination.ĮditReady, from Divergent Media, is just such a solution. To me, this shows that Divergent Media is getting on board with the idea of a unified encoder that can do just about everything, as opposed to multiple specialized encoding softwares for certain media types. They've even gone so far as to cannibalize one of their other popular apps (ClipWrap) in order to bring that functionality into EditReady. Though the feature set and compatibility was somewhat limited when EditReady launched roughly a year ago, the Divergent Media developers have shown that they're all-in when it comes to making EditReady the fastest, simplest, and most comprehensive media management solution out there for people who transcode lots of footage and deal with extensive metadata and color management. ![]() Fixes an audio issue with some Canon 5D files. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |